His voice has been described as “glowing,” “ringing,” and capable of “captivating through its beauty and evenness.” American singer Timothy Oliver began his career by earning a fest position with the world famous Semperoper in Dresden, Germany. During his previous 13 year tenure as a member of its prestigious ensemble, Mr. Oliver performed in over 60 operas, singing over 70 roles, including the Steuermann in Der fliegender Holländer, Brighella and the Tanzmeister in Ariadne auf Naxos, Arbace in Idomeneo, Pedrillo in Die Entführung aus dem Serail, the Fool-in-Christ in Boris Godunov and Camille de Rosillon in Die lustige Witwe. His portrayal as the 2nd Soldier in the Dresden premiere of Henze’s We Come to the River was praised in Die Welt as “the strongest vocal performance of the evening.”

For the 2024-25 season, Timothy returns to the world-renowned Semperoper as a guest to perform the role of Monostatos in Die Zauberflöte, a role debut as the 2nd Jew in Salome, and a concertante premiere of Leonard Bernstein’s Candide in the roles of the Alchemist, Sultan Achmet, and the Crook. The 2024/25 season is already off to an exciting start with debuts in two new houses, first at the Staatsoper Hannover as the role of Prince Arjuna in Philip Glass’ Sanskrit opera Satyagraha followed shortly thereafter with his debut at the Opernhaus Zürich in the new Homoki production of Ariadne auf Naxos as Brighella. Timothy is looking forward to making his debut in the spring at the Teatro Carlo Felice in Genua in the role of Merkur in Strauss’ Die Liebe der Danae reuniting him once again with the great conductor, Fabio Luisi.

Timothy made his successful debut just last season in the role of Max in Der Freischütz with the Hessisches Staatstheater Wiesbaden. In addition, Timothy has performed in numerous productions at the Komische Oper Berlin debuting there in 2015 in HK Gruber’s Die Geschichten aus dem Wienerwald, then roles in Die Meistersinger von Nürnberg, Philip Glass’ Satyagraha, Candide, Falstaff as well as the lead role of Váňa Kudrjaš in a new production by Kát’a Kabanová. He has made regular guest appearances at the Komische Oper in the role of Monostatos in Die Zauberflöte and toured Japan with the same production, as well as Lincoln Center in New York as part of the Mostly Mozart Festival.

After successfully debuting the role of Gandhi in Satyagraha with the Oldenburgisches Staatstheater in 2016, he was invited back to debut as Loge in Rheingold and subsequently sing Mime in Siegfried for their new production of Wagner’s Ring Cycle. In addition to developing and performing his German repertoire at the Semperoper Dresden, in 2008, Timothy joined the Bayreuther Festspiele as the Vierte Knappe in a new production of Parsifal, singing the role once more the following season and adding to it Ulrich Eislinger in Die Meistersinger von Nürnberg. Another notable debut came at the Salzburg Osternfestspiele as Habinnas in Bruno Maderna’s Satiricon in 2018. Followed shortly thereafter in winter of 2019 with his debut in Florence at the Maggio Musicale under the baton of Fabio Luisi as the Steuermann in Wagner’s Der fliegende Holländer.

Timothy is equally at home on the concert and recital stage. He debuted in 2008 at Frankfurt’s Alte Oper under the baton of Sebastian Weigle, as the Dying Swan in Carmina Burana. He maintains a very close relationship with conductor Fabio Luisi, who first brought him to Vienna in 2010 to the Musikverein to sing the title role in Berlioz’s Damnation de Faust, then engaged him to sing with orchestras all over the world, including the London Symphony, Vienna Philharmonic, NHK Symphony and the Accademia di Santa Cecilia in Rome. He is also a sought-after interpreter of numerous Bach works, in particular, the Weihnachstoratorium, Johannes Passion and Matthäus Passion.

Hailing from Norfolk, Virginia, Timothy earned his Bachelor and Master’s degrees from the University of Cincinnati Conservatory of Music in 2001 and 2003 where he graduated Magna Cum Laude with honors. It was also during his university years that the Ohio Light Opera engaged him for multiple summers where he performed leading roles such as Captain Fitzbattleaxe in Utopia Limited, Camille de Rosillon in The Merry Widow, and the title role in Robin Hood. In addition, he took part in numerous summer opera festivals including the St. Louis Opera Apprentice Program and Central City Opera where he had the honor of singing the lead roles of Larry/Matt in the famous Face on the Ballroom Floor and receiving the John Moriarty Award.

Repertoire
Ayres
Peter Pan – John Darling
Beethoven
Fidelio – Jaquino
Bernstein, Leonard
Trouble in Tahiti – Tenor
Candide – Cacambo – Alchimist – Sultan Achmet – Ganove
Bizet
Carmen – Remendado
Britten
Peter Grimes – Ew. Horace Adams
Casella, A.
La donna serpente – Tartagíl
Donizetti
L’elisir d’amore – Nemorino
Lucia di Lammermoor – Lord Arthur Buklaw
Geti
The Canterville Ghost – Cecil Cheshire
Glas
Satyagraha – Mahatma Gandhi – Prince Arjuna
Gruber
Geschichten aus dem Wiener Wald – Fleischergeselle Havlitschek
Hartmann, K. A.
Simplicius Simplicissimus – Hermit
Heggie
Dead Man Walking – Younger Brother – Großer Bruder
Hindemith
Mathis der Maler – Der Pfeifer des Grafen von Helferstein
Janáček
Věc Makropulos – Vítek
Kát’a Kabanová – Vania Kudrjas
Kander
Cabaret – Lichtgestaltung
Korngold
Die tote Stadt – Graf Albert LehárDie lustige Witwe – Camille of Rosillon – Ralph of Saint-Brioche Lloyd WebberEvita – Sounddesigner
Maderna
Satyricon – Habinnas
Monteverdi
L’incoronazione di Poppea – Der Page
Zwei Soldaten – Liktor
Mozart
Die Entführung aus dem Serail – Pedrillo
Die Zauberflöte – Tamino – Monostatos – Second priest – Erster Geharnischter
Le nozze di Figaro – Don Curzio – Basilio
Idomeneo – Arbace
Musorgski
Boris Godunov – Ein Schwachsinniger
Oehring
Die Brüder Löwenherz – No role specified
Offenbach
La Grande-Duchesse de Gérolstein – Fritz
Les deux aveugles – Giraffier
Puccini
La Bohème – Parpignol
Tosca – Spoletta
Manon Lescaut – Der Tanzmeister
Schmidt, Franz
Das Buch mit sieben Siegeln – Tenor
Schostakowitsch
The Nose, op. 15 – 5. Polizist – Eight students – Diener des Kowaljow – Ein alter Mann – Old man
Şendil
Die Bremer Stadtmusikanten – Hund
Strauss
Ariadne auf Naxos – Brighella
Der Tanzmeister- Scaramucchio
Die Liebe der Danae – König I – Merkur
Salome – Second Nazarene – First Jew – Second Jew Arabella – Zimmerkellnerin
Der Rosenkavalier – Valzacchi
Elektra – Ein junger Diener
Strauss II
Prinz Methusalem – Trombonius
Die Fledermaus – Doctor Blind
Sullivan
HMS Pinafore – Ralph Rackstraw
The Mikado – Pish-Tush
Utopia Limited – Captain Fitzbattleaxe
Ivanhoe – Wilfred, Knight of Ivanhoe
The Pirates of Penzance – Soloist
The Gondoliers – Soloist
Tschaikowski, P. I.
Yevgeny Onegin – Triquet
Pikovaya Dama – Tschaplizki
Verdi
Macbeth – Malcolm
Don Carlo (Italian version) – Der Graf von Lerma
Otello – Roderigo
Rigoletto – Matteo Borsa
Il trovatore – Ruiz
Falstaff – Bardolph
Attila – Uldino
Von Weber
Euryanthe – Udo
Der Freischütz, op. 77 – Max
Wagner, Richard
Parsifal – Fourth squire
Die Meistersinger von Nürnberg – Ulrich Eisslinger- Balthasar Zorn
Tristan und Isolde – Voice of a young sailor
Lohengrin – First nobleman of Brabant – Second nobleman of Brabant
Der fliegende Holländer – Daland’s Steersman
Tannhäuser – Heinrich the scribe
Das Rheingold – Loge
Siegfried – Mime
Weihrauch
Elizaveta Bam – Pëtr Nikolaevič
Weill
Rise and Fall of the City of Mahagonny – Fatty the Bookkeeper – Jack – Toby Higgins
Street Scene – Daniel Buchanan
Weinberg
Die Passagierin – Steward
Weinberger
Svanda Dudák – Scharfrichter – Des Teufels Famulus