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Mariselle Martinez

Mariselle Martinez

Biographie / biography

Mariselle Martinez was born in Chile. She studied singing at Escuela Moderna de Musica, Santiago with Professor Ahlke Scheffeld. She won a number of important national prizes including the National Brahms Lieder Contest through which she was then able to take part in the Francisco Viñas Competition in Barcelona, winning in the category of Best Schubert Interpreter.

Since making her operatic debut as Flosshilde "Götterdämmerung" with the Teatro Municipal, Santiago Chile in 1997, she has returned regularly since in roles including, Hänsel "Hänsel und Gretel", Maddalena "Rigoletto", Cherubino "Le Nozze di Figaro", Flora "La Traviata" and Sesto "La Clemenza di Tito", winning the National Critic’s Prize for two consecutive years. 2005 saw her returning in the title role of "Carmen" to open the new season at the Teatro Municipal to critical acclaim and a nomination for the prestigious APES award.

Her international debut came in Teatro Municipal, Rio de Janeiro in 1999 as the Page in Strauss’s "Salome" followed by further appearances as both Maddalena and Fenena. Her European debut swiftly followed in Austria once more with her critically acclaimed Cherubino for Graz and then in Klagenfurt. Further appearances in the latter house came as Olga "Eugen Onegin". Additional guest appearances included Meg Page "Falstaff" Teatro Cervantes, Malaga, Maddalena at Rotterdam’s Open Air Harbour, Mercedes "Carmen" in San Francisco and Grimgerde "Die Walküre" Teatro Real, Madrid with Placido Domingo. She returned to Austria appearing at the Volksoper, Wien as Baba the Turk "The Rake’s Progress" and Meg Page "Falstaff". Additional guest appearances have included the Festpiele Baden Baden and the Montreux Festival.

Mariselle appears frequently upon the concert platform, most recently at the Musikfest Bremen in Mendelssohn’s “Sommernachtstraum” under the direction of Thomas Hengelbrock. She has also worked with a number of major conductors including Marcello Viotti, Maurizio Benini, Jacques Delacôte, Peter Schneider, Carlo Rizzi, Marco Armiliato and Jan Latham König.

Her debut in Germany was at the Deutsche Oper am Rhein, Düsseldorf as "Carmen" singing the title role and has returned there for every season since in roles including Minerva in "Il Ritorno d’Ulisse in Patria", Adrasto "Telemaco", Nicklausse "Les Contes d’Hoffman", and acclaimed in 2008 for Nerone "L’Incoronazione di Poppea" and Cecilio "Lucio Silla" with which she also made here debut at the Royal Opera, Copenhagen.

With the role of Adrasto "Telemaco" for Schwetzingen Festpiele in 2004 Mariselle began to specialise in baroque and coloratura repertoire which brought her huge critical acclaim as Isabella "L’Italiana in Algeri" for Theater Basel as well as Fulvia "Ezio" (C. W. Gluck) the latter now released on the WD3/Coviello label. For her appearance for the Theater Bonn in the title role of "Orlando Furioso", Vivaldi the “General Anzeiger” wrote; “Schlictweg phänominal ist die Virtuosität…. die gerade für Ihre Stimmlage besonders schwierigen Kolotaturen zum Klingen bringt” and the “Kölnishe Rundshau” described her, as “grandiose”. Following this she sang the title role in Handel’s "Floridante" for the Handel Festpiele Halle. This season her engagements include Valantiniano in Handel’s "Ezio" for Theater Bonn and in the title role of "Orlando" for the Komische Oper, Berlin and Malcolm in Rossini’s "La Donna del Lago" for Geneva.

Next season she returns to Bonn to sing the title role in "Tamerlano".



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